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A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Body doubles were used for many of the major dance sequences. Dancers from New York City Ballet and American Ballet Theatre filled the classrooms of ABA and corps in the workshop ballets, some of them later became principal dancers, including Gillian Murphy , Stella Abrera , Jonathan Stafford , Jared Angle , Janie Taylor and Rebecca Krohn.
The film was choreographed by Susan Stroman who won an American Choreography Award for it. The subplot in which Cooper attracts the financial support of a flirtatious wealthy female philanthropist is mentioned in an August 15, , The New York Times article entitled "How Much Is That Dancer in the Program?
Center Stage received moderate to negative reviews. The site's consensus states: "Viewers willing to sit through soapy plot contrivances to see some excellent dancing might enjoy Center Stage ; for everyone else, there's still always Fame.
The New York Times critic A. Scott wrote for the film:. The script, by Carol Heikkinen, has a lot of business to take care of before the Big Show, which is its mandatory climax, and it steamrolls through its expository scenes with more efficiency than grace, as though in a desperate hurry to reach the next commercial break.
Cooper's climactic dance, Ms. Stroman's work, at first looks like a horrifying compilation of Dirty Dancing pelvic action and the kind of knee sliding and arm-waving that was mercifully quashed at this year's Oscars.
Along the way misguided affairs Jodie falls for the cocky, beloved star of the Company , eating disorders and injuries crop up, pushing the plot along.
As do unfortunate lines like, 'I'm not dancing for them anymore; I'm dancing for me. As such, it's no shock when the choreography upstages the screenwriting.
Ultimately the story line here is as stupid as the final "rock" ballet. The characters are one-dimensional, as are their "struggles.
With that said it's still hard to watch Center Stage and be able to get the familiar opening music to Fame out of your head; it's also hard to remember why you're not simply watching that film instead.
Other reviewers were more charitable. Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote that the film "ends with two big ballet numbers, wonderfully staged and danced, and along the way there are rehearsals and scenes in a Broadway popular dance studio that have a joy and freedom.
In Hollywood films, that's as exotic a dance as you are going to see. The single from the film " I Wanna Be with You " is performed by Mandy Moore.
It gained a lot of airplay on MTV and shows a year-old Moore in a dance studio singing to her love interest, who was played by Sascha Radetsky from the film.
Guest Teachers. Mary Grace McNally. Chad McCall. Kristin McQuaid. Greg Chapkis. Hailee Payne. Chelsea Thedinga. Jaci Royal. Matthew Fata.
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